Rev. Gary Davis - Death Don't Have No Mercy Lyrics

Frequently Asked Questions

1. Who originally recorded 'Death Don't Have No Mercy'?

   Rev. Gary Davis originally recorded 'Death Don't Have No Mercy' on August 24, 1960, for the album 'Harlem Street Singer.' Davis was a key figure in the American folk music revival during the 1960s, blending gospel and blues music into his unique 'holy blues' style.

2. What is the key musical style of 'Death Don't Have No Mercy'?

   'Death Don't Have No Mercy' features Rev. Gary Davis' lively yet simple blues guitar style, interwoven with themes and techniques from gospel music. The song is notable for its use of a chord progression in G-flat major with guitar fills in the relative minor, E-flat minor.

3. Which artists have covered 'Death Don't Have No Mercy'?

   Notable artists who have covered 'Death Don't Have No Mercy' include Bob Dylan, the Grateful Dead, and Hot Tuna. The song reached a wider audience through these covers, particularly in the 1960s rock scene amid growing opposition to the Vietnam War.

4. How does 'Death Don't Have No Mercy' reflect Rev. Gary Davis' personal experiences?

   The song's lyrics are based on traditional spirituals, but they have an autobiographical element for Rev. Gary Davis. As the only surviving child of eight siblings, Davis infused his personal experiences and tragedies into the song, highlighting the inevitability and sorrow of death.

5. When did Rev. Gary Davis perform 'Death Don't Have No Mercy' for the last time?

   One of Rev. Gary Davis' last performances of 'Death Don't Have No Mercy' was on April 24, 1972, at a concert in Northport's First Presbyterian Church. Despite his frail health, the performance was intense and passionate, reflecting his enduring dedication to music even in his final days.

6. What influence did Rev. Gary Davis have on other musicians?

   Rev. Gary Davis was highly influential on the 1960s folk and blues revival scenes, teaching many young musicians, including Bob Weir of the Grateful Dead. His unique guitar technique and blending of blues with religious themes inspired many artists, shaping the sound of folk blues.