The Trial
The Trial

Pink Floyd - The Trial Lyrics

Rock
Nov 30, 1979
359
The Trial Music Video

The Trial Lyrics

Good morning, Worm your honor
The crown will plainly show
The prisoner who now stands before you
Was caught red-handed showing feelings
Showing feelings of an almost human nature
This will not do
Call the schoolmaster

I always said he'd come to no good
In the end your honor
If they'd let me have my way I could
Have flayed him into shape
But my hands were tied
The bleeding hearts and artists
Let him get away with murder
Let me hammer him today?

Crazy
Toys in the attic, I am crazy
Truly gone fishing
They must have taken my marbles away
Crazy, toys in the attic he is crazy

You little shit you're in it now
I hope they throw away the key
You should have talked to me more often
Than you did, but no
You had to go
Your own way, have you broken any
Homes up lately?
Just five minutes, worm your honor
Him and me, alone

Babe
Come to mother baby, let me hold you
In my arms
M'lud I never wanted him to
Get in any trouble
Why'd he ever have to leave me?
Worm, your honor, let me take him home

Crazy
Over the rainbow, I am crazy
Bars in the window
There must have been a door there in the wall
When I came in
Crazy, over the rainbow, he is crazy

The evidence before the court is
Incontrovertible, there's no need for
The jury to retire
In all my years of judging
I have never heard before
Of someone more deserving
Of the full penalty of law
The way you made them suffer
Your exquisite wife and mother
Fills me with the urge to defecate

Since, my friend, you have revealed your
Deepest fear
I sentence you to be exposed before
Your peers
Tear down the wall

Writer(s): Roger Waters, Bob Ezrin
Copyright(s): Lyrics © BMG Rights Management, Word Collections Publishing
Lyrics Licensed & Provided by LyricFind

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Frequently Asked Questions

  1. Who were the writers of 'The Trial' by Pink Floyd?

    'The Trial' was written by Roger Waters and Bob Ezrin. Waters was the primary lyricist, while Ezrin contributed to the musical composition and helped refine the album's overarching concept.

  2. What significance does 'The Trial' hold in Pink Floyd's album The Wall?

    'The Trial' is the climax of the album The Wall, representing the protagonist Pink’s psychological breakdown and self-judgment. It ultimately leads to the command to 'tear down the wall!', symbolizing the destruction of his mental barriers and self-imposed isolation.

  3. Which characters confront Pink during 'The Trial'?

    During 'The Trial', Pink is confronted by caricatures of key influences in his life: an abusive schoolmaster, his overprotective mother, and his estranged wife, in addition to a Judge who delivers the final verdict.

  4. What musical styles and elements are featured in 'The Trial'?

    Musically, 'The Trial' resembles an operetta with orchestral arrangements. Traditional rock elements are largely absent until the final verdict, when David Gilmour's electric guitar and Nick Mason's drums enter, adding tension and drama.

  5. How was 'The Trial' visually represented in Pink Floyd's concerts and film?

    In concerts and the film adaptation, 'The Trial' featured an animated sequence of grotesque caricatures and vivid colors. Political cartoonist Gerald Scarfe directed the animation, which was used both in the 1980-81 and 2010-13 tours.

  6. What accents does Roger Waters use for the characters in 'The Trial'?

    Roger Waters transitions into different accents for each character in 'The Trial': a Cockney accent for the prosecutor and judge, a Scottish accent for the schoolmaster, and a Northern English accent for Pink's mother. For Pink's wife, he uses his normal voice.

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