Manilla
Manilla

Lupe Fiasco - Manilla Lyrics

12
Manilla Music Video

Manilla Lyrics

We are a people who have historically been on the verge on extinction
We have been at many times, under much stress
Since being brought into this country
On many, many slave ships

Preparations, reparations from segregation
Genius at Genesis, master system SEGAs
Punjabi mommy, dissecting Vedas on Sepulveda
Anointed players who coin phrases, that's metal paper
Level layers, several shades of grey, submission for it
Milf lover under silk covers who kiss her horses
Pilates central to preservin' the body temple
Jazz classics combatin' the fattest ass, status
Quotient, my potions soakin' like boats in oceans
Motion sickness, I overdid all my finesse pack
Multidecker, new refreshment, lesson from jet snacks
My momma wisdom, my competition is setbacks
Jetlaggin', very swaggered and my Jordans dirty
Amg performance, my foreign don't show no mercy
Mere products, objects, meaningless to the over-standards
Contemplatin' with industralists and social planners
Manillas!

Don't ruin us
God said

Life's work, overseeing the Five Classics
You can accomplish anything if you survive blackness
Sober living, Kosher kitchen, and co-defendants
Soda sippin', the soakin' rhythms, and global vision
Fear no verdict, but I feel allergic to local prisons
My new resurgence, a due return into socialism
Youth moves pay dividends as an old man
Snake-headed Mayan goddess body with gold hands
Father sins, send his twins into the underworld
The legendary, I weapon carry for same goals
My Februarys is necessary to save souls
Epilepsy diamonds flicker foolish on the cuff wrist
Do my duty to be useless to the fuck shit
Manufacture finished goods to service local needs
Dashboards lack the means to show my total speeds
Fast forward floors forge orchids to golden me
Construct the future with thirty bars
Long tenures, I'm returning home to thirty cars
Jasmine necklace from a poor woman on Hindu streets
I gave her Rupees, she gave me beauty, I temple creep

Don't ruin us
God said

Roman logic, Greek prophets, and add tutors
Be more youngins, they 12-o-clock, and then jump the scooters
Through entertainment, I end the training to run the future
In time check off my checkouts, too much for your computers
Chakra waves, singin' boats, stirring up Dalai Lama
Creation, step in my mental selection Bobby Konders
Nightmare women, dream girls, and body monsters
Don't confuse my tempation battles for batty mantras
Sole pilot til' my reputation is bodhisattva
Worked the body chalice saw Venus and this topless opera
Lost the combination need security to come and pop-a-lock'a
Still no drinkin', just bought this champagne here to wash this vodka
Punk band merchandise patches on leather coats
Tell you tales of illegal sales by fedded boats
Swallowed by waves, the hollow graves, they'll never float
Sunken ships carried slaves, so does the western coast, manilla

Don't ruin us
God said

Copper alloy bracelet forms were recognized
And used as currency for transactions
From the end of the 15th century to the mid 20th century
Their metal content varied from copper to brass
Most manilla were manufactured in England or France
And like trade beads, were used for trades with Africa
The local chiefs on the slave coast of West Africa traded
Their human cargo for many different commodities and manilla was one of them
This manilla was manufactured in Birmingham between 1830 and 1850
Being shipped to Africa to be bardered for one slave, each manilla
These slaves were then packed into hulls of ships and
Taken to the West Indies and the Americas to be sold
For vast profits if they did not die from the journey
The Duoro was one of the slave ships
Would trade goods on their way to Africa to pick up their human cargo
When she hit a rock and sank in 1843

Writer(s): Wasalu Muhammad Jaco
Copyright(s): Lyrics © BMG Rights Management
Lyrics Licensed & Provided by LyricFind

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Frequently Asked Questions

  1. What is the significance of the word 'Manilla' in the song?

    Manillas were copper or brass objects used as a form of currency in trade, particularly in the West African slave trade. These objects were traded for slaves and other commodities, symbolizing the historical economic transactions involving human lives that Lupe Fiasco addresses in the song.

  2. How does 'Manilla' relate to the larger theme of Lupe Fiasco's album 'Drogas Wave'?

    'Manilla' ties into the central theme of 'Drogas Wave,' which revolves around the history and legacy of the transatlantic slave trade. The album tells a story of slaves who survived underwater and fought against slavery, and 'Manilla' reflects on the economic tools and human suffering attached to that history.

  3. Why does Lupe Fiasco mention historical and cultural elements like 'Five Classics' and 'Chakra waves'?

    Lupe Fiasco often includes historical and cultural references to provide depth and context to his lyrics. Mentioning elements like 'Five Classics' and 'Chakra waves' juxtaposes ancient wisdom and spirituality against the brutal history of the slave trade, enriching the narrative and inviting listeners to reflect on the interconnectedness of different knowledge systems.

  4. What do the lines 'Manufacture finished goods to service local needs' and 'Construct the future with thirty bars' signify?

    These lines emphasize self-sufficiency and the importance of creating resources to benefit one's community. By constructing the future with 'thirty bars,' Lupe is metaphorically building a foundation through his music and lyrics, addressing historical wrongs and influencing the future positively.

  5. Who is Wasalu Muhammad Jaco, mentioned as the lyrics writer?

    Wasalu Muhammad Jaco is the real name of Lupe Fiasco. He often uses his birth name when discussing his work and creative process, providing a personal touch and connecting his public persona to his private identity.

  6. What historical event does Lupe Fiasco reference with the sinking of the slave ship Duoro?

    Lupe references the actual historical event where the slave ship Duoro sank in 1843 after hitting a rock. This event highlights the perilous conditions of the slave trade and the inhumanity endured by slaves, serving as a critical commentary on the brutality of slavery.

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