In this lyrical masterpiece, Common cleverly uses the metaphor of a woman to represent hip-hop music. He narrates a story about falling in love with her (hip-hop) during its early, pure stages and then growing disillusioned as she changes and commercializes. The song is filled with nostalgia for the 'old school' days of hip-hop, reflecting on how it has strayed from its original roots and become influenced by mainstream trends and commercial interests. This heartfelt lament shows Common's deep passion for the genre and his desire to see it return to its authentic form. 🎵💔 #OldSchoolHipHop #MusicMetaphor #Commercialization
I Used to Love H.E.R.
Lyrics
A-yes, yes y'all, and you don't stop
To the beat, y'all, and you don't stop
Yes, yes, y'all, and you don't stop
A-one, two, y'all, and you don't stop
A-yes, yes y'all, and you don't stop
And to the beat Com Sense'll be the sure shot, come on
I met this girl when I was ten years old
And what I loved most, she had so much soul
She was old school when I was just a shorty
Never knew throughout my life she would be there for me
On the regular, not a church girl, she was secular
Not about the money, them studs was mic-checkin' her
But I respected her, she hit me in the heart
A few New York niggas had did her in the park
But she was there for me, and I was there for her
Pull out a chair for her, turn on the air for her
And just cool out, cool out, and listen to her
Sittin' on bone, wishin' that I could do her
Eventually if it was meant to be, then it would be
'Cause we related, physically and mentally
And she was fun then, I'd be geeked when she'd come around
Slim was fresh, yo, when she was underground
Original, pure, untampered, a down sister
Boy, I tell you, I miss her
A-yes, yes y'all, and you don't stop
To the beat, y'all, and you don't stop
A-yes, yes y'all, and you don't stop
A-one, two, y'all, and you don't stop
A-yes, yes y'all, and you don't stop
A-Com Sense y'all, and you don't stop
A-yes, yes y'all, and you don't stop
UAC, yo, we gotta be the sure shot
Now periodically I would see
Ol' girl at the clubs, and at the house parties
She didn't have a body, but she started gettin' thick quick
Did a couple of videos and became Afrocentric
Out goes the weave, in goes the braids, beads, medallions
She was on that tip about stoppin' the violence
About my people she was teachin' me
By not preachin' to me but speakin' to me
In a method that was leisurely, so easily I approach
She dug my rap, that's how we got close
But then she broke to the West Coast, and that was cool
'Cause around the same time, I went away to school
And I'm a man of expandin', so why should I stand in her way?
She probably get her money in LA
And she did stud, she got big pub, but what was foul
She said that the pro-black was goin' out of style
She said, "Afrocentricity was of the past"
So she got into R&B, hip-house, bass, and jazz
Now black music is black music and it's all good
I wasn't salty she was with the boys in the hood
'Cause I was due for her, she was becomin' well-rounded
I thought it was dope how she was on that freestyle shit
Just havin' fun, not worried about anyone
And you could tell by how her titties hung
A-yes, yes y'all, and you don't stop
To the beat, y'all, and you don't stop
A-yes, yes y'all, and you don't stop
A-one, two, y'all, and you don't stop
A-yes, yes y'all, and you don't stop
And to the beat Com gotta be the sure shot
A-yes, yes y'all, and you don't stop
If you don't check it, mm-mm, bust it, bust it
I might've failed to mention that this chick was creative
Once The Man got to her, he altered her native
Told her if she got an image and a gimmick
That she could make money, and she did it like a dummy
Now I see her in commercials, she's universal
She used to only swing it with the inner-city circle
Now she be in the burbs, lookin' rock and dressin' hippie
And on some dumb shit when she comes to the city
Talkin' about poppin' Glocks, servin' rocks and hittin' switches
Now she's a gangsta rollin' with gangsta bitches
Always smokin' blunts and gettin' drunk
Tellin' me sad stories, now she only fucks with the funk
Stressin' how hardcore and real she is
She was really the realest, before she got into showbiz
I did her, not just to say I did it
But I'm committed (girl, he's committed)
But so many niggas hit it
That she's just not the same lettin' all these goofies do her
I see niggas slammin' her and takin' her to the sewer
But I'ma take her back, hopin' that the shit stop
'Cause who I'm talkin' about, y'all, is hip-hop
To the beat, y'all, and you don't stop
A-yes, yes y'all, and you don't stop
Mainframe, yo, they gotta be the sure shot
A-yes, yes, y'all, and you don't stop
To the beat, y'all, and you don't stop
A-yes, yes y'all, and you don't stop
A-one, two, Com Sense is gonna drop, haha
Mmm, mmm
Uh, uh
I used to love H.E.R.
Uh-uh, uh, uh
I used to love H.E.R.
Uh-uh, uh, uh
I used to love H.E.R.
Uh-uh, uh, uh
I used to love H.E.R.
Uh-uh, uh, uh
I used to love H.E.R.
Uh-uh, uh, uh
I used to love H.E.R.
Went and fucked up all the shit, y'all
"You ain't got your woman in check, man?"
"I think you're overstepping your bounds just a little bit"
"I can't do this anymore
I can't do this anymore"
Writer(s): Ernest Dion Wilson, Lonnie Rashid Lynn
Copyright(s): Lyrics © BMG Rights Management, Universal Music Publishing Group
Lyrics Licensed & Provided by LyricFind
What is the Meaning of I Used to Love H.E.R.
?
End of content
That's all we got for #