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Leonard Bernstein - The Harvard Lectures Album Songs and Lyrics
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Vol. I - Musical Phonology: Perhaps the Principal Thing
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Vol. I - Musical Phonology: And there is Always that Blue Note
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Vol. I - Musical Phonology: But Even these Twelve Tones
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Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote
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Vol. II - Musical Syntax: I Suppose What Chomsky is Really After
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Vol. I - Musical Phonology: And Again Comes a Great Leap
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Vol. II - Musical Syntax: So, Let's Pull Up Our Socks
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Vol. II - Musical Syntax: All Right, Let's Try Another One
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Vol. I - Musical Phonology: But How do we Investigate
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Vol. II - Musical Syntax: Why Am I Taking Your Time
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Vol. I - Musical Phonology: This Is Not to Say that There Were No Drastic Changes
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Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age
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Vol. I - Musical Phonology: Universality is a Big Word
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Vol. I - Musical Phonology: So, we're in the Midst of a Chromatic Adventure
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Vol. II - Musical Syntax: But First, What are These Principles
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Vol. I - Musical Phonology: I Began by Imagining Myself
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Vol. I - Musical Phonology: And All by Those Progressions
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Vol. II - Musical Syntax: But Now Just Think of that Sentence
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Vol. I - Musical Phonology: Let's Make a Simple Analogy
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Vol. II - Musical Syntax: Since this is not a Linguistics Cla**
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Symphony No. 40 in G Minor, K. 550: I. Allegro molto
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Vol. I - Musical Phonology: Maybe Even a Divine One
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Symphony No. 40 in G Minor, K. 550: II. Andante
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Vol. I - Musical Phonology: But Where do these Notes Come from?
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Symphony No. 40 in G Minor, K. 550: III. Menuetto, Allegretto
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Vol. I - Musical Phonology: This Acoustical Phenomenon
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Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro a**ai
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Vol. I - Musical Phonology: But More of that Later
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Vol. I - Musical Phonology: But Let's Not Make the Mistake
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Vol. I - Musical Phonology: And that's how the Tempered Clavichord
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Vol. I - Musical Phonology: Now this is a Substantive Universal
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