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Partch, H.: Historic Speech Music Recordings (Enclosure 2) Album Songs and Lyrics
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I am Harry Partch
by
Harry Partch
:24
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Bitter Music: June 11, 1935 — Santa Rosa, California
by
Harry Partch, Warren Burt, Sheila Guymer
:27
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I'm going to start right off by giving you some sounds…
by
Harry Partch
:31
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By the Rivers of Babylon
by
Harry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom
3:26
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Bitter Music: June 12 — Federal Shelter, Stockton
by
Harry Partch, Warren Burt, Sheila Guymer
3:36
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2 Settings from Finnegans Wake: No. 1. Isobel
by
Harry Partch, Lola Harding, Dorothy Holden, Hilmar Luckhardt
2:54
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Texts and Music: A Wagnerian Wrestling Match
by
Harry Partch
1:22
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Bitter Music: June 13
by
Harry Partch, Warren Burt, Sheila Guymer
1:28
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2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful
by
Harry Partch, Lola Harding, Dorothy Holden, Hilmar Luckhardt
2:21
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17 Lyrics of Li Po: A Dream
by
Harry Partch, William Wendlant
4:34
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Bitter Music: June 14
by
Harry Partch, Warren Burt, Sheila Guymer
2:22
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Dark Brother
by
Harry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom, Fralia Hancock
7:38
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17 Lyrics of Li Po: An Encounter in the Field
by
Harry Partch, William Wendlant
:48
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Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta
by
Harry Partch, Warren Burt, Sheila Guymer
3:27
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A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
by
Harry Partch
2:14
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A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
by
Harry Partch
6:06
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Bitter Music: June 17
by
Harry Partch, Warren Burt, Sheila Guymer
:27
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17 Lyrics of Li Po: On Hearing the Flute
by
Harry Partch, William Wendlant
1:01
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Bitter Music: July 4
by
Harry Partch, Warren Burt, Sheila Guymer
3:50
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17 Lyrics of Li Po: The Intruder
by
Harry Partch, William Wendlant
1:10
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A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
by
Harry Partch
1:06
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17 Lyrics of Li Po: I am a Peach Tree
by
Harry Partch, William Wendlant
1:27
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A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
by
Harry Partch
1:36
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17 Lyrics of Li Po: With a Man of Leisure
by
Harry Partch, William Wendlant
:48
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A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
by
Harry Partch
1:07
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17 Lyrics of Li Po: A Midnight Farewell
by
Harry Partch, William Wendlant
1:19
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A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
by
Harry Partch
:54
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17 Lyrics of Li Po: Before the Cask of Wine
by
Harry Partch, William Wendlant
2:11
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A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
by
Harry Partch
1:24
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17 Lyrics of Li Po: On the Ship of Spicewood
by
Harry Partch, William Wendlant
2:32
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A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
by
Harry Partch
1:52
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17 Lyrics of Li Po: By the Great Wall
by
Harry Partch, William Wendlant
1:56
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A Quarter-Saw Section of Motivations and Intonations: Close Degrees
by
Harry Partch
1:08
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A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
by
Harry Partch
1:23
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14
The Use of English in Serious Music
by
Harry Partch
:58
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A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
by
Harry Partch
2:25
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15
Barstow: 8 Hitchhikers' Inscriptions
by
Harry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom
8:27
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A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
by
Harry Partch
2:27
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San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
by
Harry Partch, Lee Hoiby, Christine Charnstrom
2:30
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A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O
by
Harry Partch
3:57
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17
Life is too precious to spend it with important people
by
Harry Partch
1:30
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A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
by
Harry Partch
2:40
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18
US Highball: a Musical Account of a Transcontinental Hobo Trip
by
Harry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom, Fralia Hancock
26:46
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A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our
by
Harry Partch
4:05
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19
My Heart Keeps Beating Time
by
Harry Partch, Philip Blackburn, Liz Schmidt
1:37
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A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for
by
Harry Partch
1:46
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San Francisco II
by
Harry Partch, Mark Enslin, Keith Johnson, Arun Chandra, Rick Burkhardt, Lesley Olson, Sarah Wiseman
2:51
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A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched
by
Harry Partch
6:13
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A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
by
Harry Partch
10:42
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A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
by
Harry Partch
6:53
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