Exploring themes of alienation and melancholy, this emotive track paints a vivid picture of the artist's struggle with her dual cultural identity. Sawayama grapples with feelings of isolation and sadness, symbolized by the Japanese district Akasaka, her place of birth. She refers to her inherited traits from both parents, indicating a sense of burden or suffering. The song also touches on the effects of distance and displacement, as she navigates between her Japanese roots and Western upbringing. Despite trying to escape these feelings through travel, she finds herself trapped in the same emotional state - a testament to the pervasive nature of internal struggles which can't be outrun. #CulturalIdentity #EmotionalStruggles
Istanbul (Not Constantinople) by They Might Be Giants
This catchy tune is more than just a history lesson set to music. It uses the renaming of cities—specifically Constantinople to Istanbul and New Amsterdam to New York—as a metaphor for change and the passage of time. The song suggests that these changes, while sometimes confusing or frustrating, are inescapable and often come about due to popular consensus ("People just liked it better that way"). The repeated line "That's nobody's business but the Turks" implies a respect for cultural sovereignty and the right of societies to shape their own identities. Ultimately, this song reminds us that change is constant, inevitable, and often beyond our control. #Change #TimePasses #CulturalIdentity
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